Revolutionary Smart Personal Care Devices: Ultrasonic Toothbrushes, Timed Reminders, Bluetooth Mirrors&More
Revolutionary Smart Personal Care Devices: Ultrasonic Toothbrushes, Timed Reminders, Bluetooth Mirrors&More Revolutionary Smart Personal Care Devices: Ultrasonic Toothbrushes, Timed Reminders, Bluetooth Mirrors&More
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At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation.

 

  • Publisher: Duke University Press
    Publish Date: November 30, 2004
    Pages: 248
    Dimensions: 6.26 X 0.6 X 8.82 inches | 0.76 pounds
    Language: English
    Type: Paperback
    EAN/UPC: 9780822334460
  • BISAC Categories: Genres & Styles - Rap & Hip Hop
Prophets of the Hood // Politics and Poetics in Hip Hop
  • Paperback

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